There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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By the end of the 21st century, only eight of the 21 cities that have hosted the Winter Olympics are projected to be cold enough to reliably host the Games due to climate change. Challenges faced by Milano Cortina 2026 organisers such as producing artificial snow, establishing transport links between remote locations and building new infrastructure are likely to become more omnipresent at future editions.